An attempt to go back towards the beauty of fine book printing, inspired in Britain's literary classics. Athelas takes full advantage of the typographic silence, that white space in the margins, between the columns, the lines, the words, the lettershapes and finally, within the characters themselves. It is a typeface with open counters, elegant curves and graceful serifs.
Fluid shapes in its Roman variants meet their counterpart in a more angular italic. Athelas also takes advantage of the great advances and technical developments made in offset printing. Athelas shows its best side in finely crafted book editions and good printing conditions.
It has a large character set that covers most of the languages that use Latin script. Although inspired in British literature, this typeface respects the cultural values behind different languages, where diacritic marks have an utterly important role.
Athelas was part of the Tipos Latinos exhibition 2006, and was selected as winner of the Granshan competition 2008 in the text type category.
Designed by Veronika Burian and José Scaglione.
Fluid shapes in its Roman variants meet their counterpart in a more angular italic. Athelas also takes advantage of the great advances and technical developments made in offset printing. Athelas shows its best side in finely crafted book editions and good printing conditions.
It has a large character set that covers most of the languages that use Latin script. Although inspired in British literature, this typeface respects the cultural values behind different languages, where diacritic marks have an utterly important role.
Athelas was part of the Tipos Latinos exhibition 2006, and was selected as winner of the Granshan competition 2008 in the text type category.
Designed by Veronika Burian and José Scaglione.
Type in use: PNCA
Type in use: PNCA
